Trullo improvisations, by Magliocchi/Angeloni/Castañón

Trullo improvisations

by Magliocchi/Angeloni/Castañón

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1.	Durmiendo en un trullo 06:04	buy track
2.	Maya 03:27	buy track
3.	Eryn 04:09	buy track
4.	Dudu 04:59	buy track
5.	Stracci 06:21	buy track
6.	Mani di bilancia 04:51	buy track
7.	El niño F. 03:27	buy track
8.	Aunzus 03:19	buy track
9.	Bishmillah 08:49	buy track
10.	El afilador de cuchillos 05:07	buy track
11.	Torque 06:00	buy track
12.	Impro 7c. (b.t.) 09:03	buy track

about

All improvised music by Magliocchi/Angeloni/Castañón
Recorded at Mark Jambom Studio. Bari Italy.
February 9th. 2009
Also available at:
www.setoladimaiale.net

credits

released May 24, 2015

Marcello Magliocchi_drums
Bruno Angeloni_soprano sax
Juan Castañón_guitar

"(...) Improvised music. Luogo d'incontro, ricerca, rigore. "Trullo Improvisations", nel suo piccolo, è perfetta esemplificazione di questo concetto. Un'immersione sensoriale in cerca della contaminazione reciproca. Naturale ed omogeneo, il rapporto/discorso, intrapreso fra i messicani Bruno Angeloni al sax, Juan Castañon alla chitarra, e Marcello Magliochi, batteria e percussioni. Undici brani, registrati a Monopoli nel 2009, in un'ispirata giornata invernale. Umori forti in amalgama istantanea. Severità e rigore. Lavoro di sottrazione, di svuotamento, sensuale e austera rarefazione. La visione europea, la combustione afroamericana, le suggestioni dei luoghi, rilucenti inflessioni del Mediterraneo. Composizione spontanea ed immediata, che per caratteristiche, ed angolature, vien da definire classica. Praticamente, da manuale. Spigolosità in movimentazione continua e tenace. Anime sacre, che si affiancano sfiorandosi. Improvised music." M. Carcasi, Kathodik 2010.

"(...) En choisissant de n’enregistrer que des pièces courtes ou de moyenne durée, et en s’imposant, à chaque fois, un nouveau cahier des charges, le batteur-percussionniste Marcello Magliocchi, le saxophoniste Bruno Angeloni et le guitariste Juan Castañon prennent le risque de divertir plus que nécessaire. L’écueil est évité de justesse grâce à des improvisations décomplexées, généreuses. Le soprano ne cache pas son lyrisme, pas plus que son désir d’abonder sans retenue. La guitare fourmille de bonnes idées et d’accords fielleux mais sèche à vouloir faire exister le contrepoint. Quant à la batterie, sèche et précise, elle sait délimiter espaces et respirations avec une sobre intelligence (encore plus convaincante quand la percussion se fait minérale et résonnante). Beau disque donc." Luc Bouquet, Le Son Du Arisli, 2012.

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